Only through abstract art can we capture the infinite within a finite space.
In a Manichaean worldview, my painting becomes a dynamic arena where the viewer can interpret the opposing forces of consciousness and the unconscious. This tension is expressed as the clash between constructivist structures with the chaos of gestural abstraction, with pentimenti as a visible record of this ongoing conflict.
Additionally, remnants of consumer culture are intentionally woven into the artwork. For instance, including high-end fashion bags exposes the false promises inherent in consumerism, pitting materialism against spirituality.
Dynamic and relational elements take center stage, countering the all-over pictorial approach that has dominated abstraction since Jackson Pollock.
Finally, drawing inspiration from Japanese dry gardens, my paintings symbolize a journey through life.